By Paul David Flood When Danish composer Per Nørgård discovered the art of the schizophrenic Swiss painter Adolf Wölfli at an outsider art exhibit in 1979, he was struck by the fractal construction of these paintings and their similarity to his infinity series, a compositional system based on an integer sequence which he claimed to … Continue reading Per Nørgård’s Two-Tone Infinity Series in “Wie Ein Kind” (1979-80)